Halloween Costume ideas 2015
Articles by "Gerald Lazare"
@dorothiar #arttips #interview 101 2 Column Template 2012 mentee 2013 2013 mentee 2014 2014 mentee 2014 Portfolio Winner 2014 SCBWI Portfolio Mentorship Winner 2015 mentee 3 Column Template 360 3d 3d print 3d printing 3delight 8bit Abbey McCulloch abstract acryla gouache acrylic action addon adobe Adobe Flash CS3 Adobe Illustrator Advanced Tutorials advection Advertising advice Agata Wierzbicka agents airplane Al Wiseman ALA Alan E. Cober Alan Lee Alex Ross Alexandra Compain-Tissier Alexandra Lekias Alexandra Levasseur Alexandre Korobov Alexis Winter algorithm alien ALT Amelie Hegardt Amit Shimoni amusement an Ana Aranda analog Andrea Hrjnak Andrea Hrnjak andrea offermann andreaoffermann andreazuill Andy Musser Angela DiTerlizzi Angelika Peißker animal logic animals animation animation nodes anime anisculpt Anja Kroencke Anna Higgie Anna Jensen Anna McKay Annabel Briens AnneBerry Anneke Krull Annu Kilpeläinen anstudy anthology António Soares ar arduino area armature arrange array array modifier arrow art art director art directors Art is fun! art reps art tools Artaksiniya arthictecture arthur rackham artists artwork ase Ashlyn Anstee Asian aspiring asset atom attribute attribute transfer audio Audrey Kawasaki augmented reality aurasma Aurelius Battaglia author illustrator automatic automation Autumn Whitehurst avatar Avrom Yanovsky AW14/15 award awards Babeth Lafon Babies baboon Baby Love Background background color bacteria bake baking ball Bamboo banner Banner images banner making Barbara Dziadosz barcode basic bbox beads beats Bec Winnel beginner Bel Johnstone Ben Denison Bernie Fuchs Berto Martinez Beth Krush better photos bge Bijou Karman Bike biscuit bishop black and white black and white art Blair Breitenstein blam blender blender game engine blender3d blending Blinkie Blinky blob blocks Blog Tips blogger Blogging Friends blogs Blonde blur effect in pixlr and photoshop blur images and pictures bmesh bmesh viewer bolognaragazziaward bombing bone bone modeling bones book book launch books boomerang bottle bounding box bowl bpy brian eno brian ormiston Brian Sanders brian won brick bridge Bridget Davies bright Brooke Boynton Hughes build modifier building burns business Buttons bvh cage Caitlin Shearer caldecott calibration camera camera settings camera tips Candle capcom card career Carole Wilmet cartoony Cassandra Rhodin cast Catherine Campbell Cecilia Carlstedt cell center pivot centipede cg cg photography chair challenge Chanel changin color in pixlr changing color chaos character Character Bible character development charcoal charles Charlie Dot Charlie Hebdo Children children's book illustration chocolate Christina Drejenstam christina forshay Christina K christinaforshay Christmas Cindy Derby circle circle dance city cityengine clock clones cloning cloth Cloud based clover CMYK Coco Chanel Cody and the Fountain of Happiness coffee collect collection Collections collision color color balance color cast color correction color mode color study colorful Commercial Use complexity component compositing composition computational thinking computer concept art Condensed Posts conference connect connect the dot connection Connie Lim Conrad Roset constrain constrast contagion content Contest contracts control converter copy copyright Corinna Luyken count Courtney Brims crack Craft craftsmanship Craig & Karl creative creativity creature cricket Cristina Garcia Martin critic criticism critique Crop Crop Tool cross section crowd csv cubism curve curve modifier custom Custom Blog Design Custom Blog Design Tutorial Custom Blog Designers Custom Illustration custom properties Custom Signature custom xml cut cutting plane cycle cycles dae Damien Florébert Cuypers Dan Hillier dance Daniel Egnéus Daniel Segrove Danny Roberts Daren Newman Dasha Tolstikova data data path David Blossom david diaz David Shrigley David Stone Martin Dean Hardscrabble Debbie debbie ohi debbieohi deform deformer degrees deleting background in pixler demo demoscene desaturation of images design design by numbers design process Design Tips dictionaries dictionary Different Text Writing in Pixlr digital digital paint Digital Scrapbook Freebies Digital Scrapbooking disk distance distractions distribute diversion DIY DIY Contest Dolf Veenvliet Doll Doll Bones dolls domino domino effect doodle Doodles door doraemon Doris Jackson Dorothia Rohner dots dpi draw drawing drill driven driver drivers dual versions dummy duplicate duplicates duplication dupliframe dvd dynamic dynamic paint dynamic text E Simms Campbell Easy easy pixlr Easy Tutorials Ed Graham Ed Vebell editing editing photos editors education effect effects ego Eleanor Dalton electric Elia Fernández eliza wheeler Elizabeth Mayville elizawheeler Emily Forgot Emma Zanelli emoticon happy-face Emotional storytelling empathetic characters empty entoforms envy epicycloid EPS Illustration Epson scanner erasers Erin Armstrong Erin Petson erinoshea ernest shepard Esra Roise euler evaluate line Eveline Tarunadjaja evenly spacing vertex event everywhere door exhibition Expandable Posts experiments explode exploded view export expression extrude eye eye color in pixlr eye trick eyeball face rig facial expressions facial setup factory Faiyaz Jafri Families fashion illustration fashion week fcurve feature Featured Fee Harding Feedback fence Fernanda Guedes fibonacci Fifi Lapin file File Types Finalists Finding Nemo fire fix photos Flash Tutorials flicker flip flip flop floor flop flow flower Flowers fnmatch focal point follow up font Fontaine Anderson Fonts food footage For Sale force form formula fractal fracture frame Frames Francois Berthoud Frank Bellamy Frank Furlong Franklin McMahon freckles Fred Steffen FrederiqueBertrand Free for Commercial Use Free for Personal Use Free Stock Photography Free transform tool Freebies Frenchillustration Fritz Siebel frosted mylar fruit ninja Fumi Mini Nakamura Fun function futurism FW2017 fx Gabriel Moreno Gabriella Ibarra game game animation gameart gamma gangnam style Garance Doré Gary Fernandéz gel medium generate generative generator geometric geometry Gerald Lazare Géraldine Georges GIF Gildo Medina Girl Giuseppe Castellano Giveaway glorar goals golden ratio google google docs Google Tools Grant Young graph graphite graphite transfer grease pencil grid group group node growth Gucci Guest Guil Godier gustave dore hair handbook Harper's Bazaar harpercollins Harvey Schmidt Haute Couture head Headers heat map Helena Hauss hexagon hexagonal grid Hiroshi Mizuno Hiroshi Tanabe Holiday Holly Black homology honeycomb hook horror houdini how to how to blur a face or an object in pixlr How to change eye color how to delete an object how to desaturate an image how to edit a image in pixlr how to erase an object how to fix red eye problem how to fix red eyes in pixlt How to fix the parts in pixlr in photoshop How to make a banner in pixlr How to overlap the nevus how to remove a object How to remove an object in pixlr how to remove red eyes How to Remove the Background of an Image in Pixlr How to remove the parts that you don't want in pixlr and photoshop how to replace color How to write a Patterned Text in Pixlr how-to Hsiao-Ron Cheng hsv hue humor Hyshil I love illustration magazine idea ideas Igor+André illusion illustrating illustration illustration board Illustration Books Illustration Intensive Illustration Now! Fashion illustration process Illustrations Illustrative Berlin illustrator Illustrator Intensive Illustrator Tutorials iloveillustration magazine image ediditing lessons Image Ready image sequences image theft imaginative import import text import vertex color improving photos inbetween index visualizer Info Ingrid Bockting ink inktober input Inspiration inspirational quotes install instance instance switching intensive interaction Intermediate Tutorials internet interoperability interpolation intersect intersect edges intersecting intersection interview introduction invoke subprogram io ipad Irana Doucer Isabella Hemmersbach islam islamic iteration Izzie Klingels Jack Hearne Jack Tremblay James Dignan James Gurney japanese Jason Brooks Jean Kim Jeanne Detallante Jen and Chris Creed Photography jen betton Jen Rofé Jenny Mörtsell Jeremy Combot Jeslyn Kate Jesse Auersalo Jessica Jessica Lanan jessicalanan jewellery jewelry jiggle Jim Schaeffing Joe Bowler Joe Cleary Joe Isom Joe Krush Johanna Goodman john maeda John Vernon Lord joint Jordan Sondler JPEG JPG jpop juana martinez-neal juanamartinezneal Judge Judit Garcia Talavera Judith van den Hoek Judy Byron Schachner Jules Julien Julian Beever Julie Verhoeven Jump Break Tool JW Anderson K-Fai Steele Kaethe Butcher Kareem Iliya karel zeman Kate van Harreveld Kathrin Kuhn Kathryn Ault Noble Kathryn Noble Katie Kath kdtree Kei Meguro Kelly Beeman Kelly Light Kelly Smith kelly sonnack Kelly Thompson keyframe keyframing kidlit kidlitartists kimberlygee Kirkus Review Kisoo Chai Kodak Konstantin Kakanias Korean illustration Kotaro Chiba Kozue Himi Kremos Ksenia Finogeeva KT Smail kuler Kustaa Saksi Lanan Laptop larry gritz lasso tool latte lattice Laura Callaghan Laura Laine Lauren Rille layer layering Layla Holzer layout leaf learning learning blender LED Leendert meets Ingrid lego length Leonard Starr lessons levels LFW A/W 14 liangzhu liero lightbox lighting lightning Lina Bodén Lina Ekstrand Linda Dorn line line connect line drawing lines Links Linky Love Linn Olofsdotter Lionel Gilbert Lisa Anchin Lisa Billvik Lisa Krannichfeld lisaanchin lisbeth zwerger Liselotte Watkins list list comprehension List First Last listing locator lofting logo Logo Design Lola Dupré London Fashion Week loop looping loops looptools Lorraine Fox lossless lossy lost weekend lostweekend lotte reininger Louis Glanzman louis vuitton Luciana Rondolini luciograph LULU* lv Lynnie Zulu Mac macgyver macouno maeda Magda Antoniuk magic Magnus Voll Mathiassen mailing mailings maker Makiko Sugawa making banners Malika Favre MAMP mandala manga map map range maplelam mapping Marcel George Maren Esdar Margot Macé Margot van Huijkelom Maribeth Olson Marie El-Ahmar Marilyn Conover Marina Esmeraldo Marine Marbleindex mario Marlies Niemeijer Marsha Riti Martha Rago Martin Krusche Martine Johanna mask masking material materials math matrix matrix apply matryoshka Matt Baker matte medium Matthew Woodson maya maze mdd Meagan Morrison measure megaman Megan Hess Meizhen Xu Mel Crawford memory mentee mentees mentors mentorship program Mercer Mayer Meridth McKean Gimbel mesh mesh cutter meshlab Meta Tags metal gear rising Meyoko Mia Overgaard Micca mice Michael Sanderson Michela Picchi middle grade midi miku Milan milipede minidom Minima Mio Matsumoto mirror cut Misc Miss Blackbirdy miss maple's seeds Miss Take Mitchell Hooks mixamo mixing Mobile Apps mocap mod model modeling modifier modular modulation modulus mold molecule molly idle Molly Ruttan Molly Ruttan Illustration money monitors monkey mono-zero monster monster university morph morpher mosaic mosquito motion motion capture motion capture mouse motion trail moto360 mountain muji Muriel Wood Murray Tinkelman mushroom Music and Podcasts My dead pony Nadia Flower Naiad Einsel Naja Conrad-Hansen Natalie Brockett Natalie Foss nathan vegdahl nautilus Nav Bar navigation needle-felting negotiating Neil Boyle neon nescbwi14 nested New Blogger Questions New Blogger Template Tutorials new user pixlr new year new york New York Fashion week Newbery nicholas nicholas bishop Nicholas Hong Niki Pilkington Niso Ramponi nla No Software node node-based nodebox noise non linear animation Non-Web Font normal Noumeda Carbone npr number NURBS NYFW object object color change object info octopus offset Ola Volo Olaf Hayek old formats opaque projector open movie open shading language open source openshadinglanguage opensoundcontrol optical organization origami original art show Ornaments osc Oscar Schlienger osipa osl outline outliner output Pages paint paint weight painting painting on illustration board painting on wood painting with movie painting with numbers Pair pandas panorama Paper paper lantern parabola parametric parent parenting particle particle info node particles pat david Pat Zietlow Miller pattern Patterned Text Paul Faassen Paul X. Johnson Paula Sanz Caballero PC pdb pebbles pencil Pencil Sketch pencils Penguin perfume perlin Peter Helck Photo CD.8B photo editing software Photo Reference Photobucket photographing art Photographs photography photomerge photoshop Photoshop Brushes Photoshop CS3 Photoshop elements photoshop pixlr desaturaion Photoshop tips Photoshop Tutorials Picture Book Builders picture books Pierre Louis Mascia Piet Paris Pietari Posti pingpong pinnochio pipes pixar pixel pixel art pixel generator pixlr Pixlr advanced Pixlr blog pixlr desaturate keep a colorful part pixlr editting pixlr express Pixlr forum Pixlr free transform Pixlr Lesson Pixlr lessons Pixlr mobile Pixlr resizing images pixlr shortcuts Pixlr tools pixlr tutorial pixlr tutorial with pictures Pixlr Tutorials pixlr white black pixlr.com plant plot plotting ply PNG PNG Illustration podcast point point color pointilism polka dots polyCut polygon Pomme Chan pop-overs portfolio Portfolio award portfolio showcase portfolio-advice portrait position Post Dividers postcard poster Posting pot powdered graphite powerhousemuseum Prada presentation print printmaking Prize procedular procedural process processing programming projection Promotion property prototype PSD psy publishing pulse puppet puppetry pydriver pydrivers pyhandler pyhandlers pyramide python quad quick select set quick tips qumarion Rabbit Moon Rachel Ryle radians radius ramp random random motion randomization randomize range float raspi Ray Houlihan reading reading XML READY-TO-WEAR realflow Rebecca Clarke rebecca dautremer Rebecka Skog rebuild recursive recursivedrawing red eye remove reducing glare reference referencing release remesh modifier remix removal remove remove red eyes remove unwanted objects Removing backgroung render rendering renderman repeat repeater repeating replace replacement replacing color representation rerouter resample resampling research Resizing image resolutions retopology retro review revolve rgb rib Ricardo Fumanal Richard Scarry rig rigging rigify Rikke Jorgensen ring ripple roadkill Robert Heindel Robert J. Lee Robert McCloskey Robert Shore Roberta Zeta Robin Rosenthal robot robotic rocks Rodolfo Montalvo Roller Coaster rotation Rousseau rsl Rubin Pfeffer ruler tool Russ Mills russian rut S/S14 S/S15 S/S16 Sabine Pieper sadako Saftey Pins Sainte Maria Sale Sam Weber Sanda Suy Sandy Kossin santoso Sara Andreasson Sara Singh Sarah Jacoby saturation artist tools scan scanners scanning scatter scbwi SCBWI 2015 mentee SCBWI conference scbwi germany SCBWI mentorship scbwi-la scratch scratchboards screensaver screw screw modifier script scrub sculpting seamless Seamless Patterns Search Engines select by material select by name select by type SEO sequence series set keyframe set keyframes shader shading shadow Shannon Stirnweis shape grammars shape key shapekeys shapes shards shatter Sheilah Beckett shell ship shipping shipwright Shoes SHOWstudio shuffle Sid Barron Sidebar Titles Signature Silja Goetz silkworm Simon and Schuster Simon Varela simple simplicity simulation sine Site Engine Optimization Sjoukje Bierma sketch Sketches sketching skin skin modifier skinning slice slicing slides sloth slow parent smoke smoothstep SN snake Sneek Peek snippet Snow Snow White Snowflakes soccerball social media Social Media Buttons Social Networking society of illustrators Society6 soft body softbody Sonia Menti sound sound wave space spaceship sparta special spider spiderman spiderweb spin spiral Spiros Halaris Spiros Halaris x Urban Decay spline Spot Healing Tool spreadsheet SS16 stack stacking stair stamp Stan Galli star starfish stencyl step Steven G. Dobson still Stina Persson stone stones storytelling strand strand info strands street art string stripes structure studies studio style stylistic summary Summary Posts Summer sun supplies surface Susan Farrington suzanne Suzanne Kaufman sverchok swatch switch sydney system table table of contents take out background Tal Drori tangent tangled Taschen teaching teapot Template Templates tentacle Tess Jacobson Tex Avery text text editor Text Formats Text Styles in Pixlr texture texturing The Cartorialist The Grudge Keeper The Purple Book thinker1 Thomas B. Sawyer thread TIFF tile tilecam tiling time time code Tina Berning Tina Kugler tips tips for artists Toby Neilan Tom Baxter Tom Bjarnason tombow tomie depaola tool tools topology tower Tracy Turnbull Train transfer drawing transferring sketch transform transformation transit travel triangle wave Tricia Springstubb trigger tris tristan lock tube tubes Tutorials twitter type tool typeface typography unbake unity3d universal unquad utah uv valentine Valentino Valerie Servais vanilla variable variation variety vase vector vectorized Velwyn Yossy venus Veronica Ballart Lilja vertex vertex color vertex group vertex paint vertex weight VFX Victoria Boysen video Videos viewer Vintage virtual virtual studio visualization vivid vividfestival VOGUE volumetric voronoi Vote voxel voxelated voxelation walking teapot Walter Einsel wand tool water soluble graphite watercolor wav wave we need diverse books web webbing Week Themes weight welcome Wendy magazine Wendy Plovmand what casues red eyes What is Pixlr Wherever You Go Wide Awake Bear wiggle Will Davies Winner Winnie Fitch Winnie Truong Winter wire wired wireframe wolfram Woman wood woodwork wool wooly wordpress work workflow World writing writing XML www.pixlr.com XML YA yayoi kusama Yelena Bryksenkova yoda Yoko Furusho Yuliya zaha hadid zen zsphere

By Gerald Lazare

As an illustrator, I loved doing anything with a foreign setting. My ancestors had come from France. In 1979, I made another trip to Europe, starting in Paris to sketch and paint and produce a show. In 1981, I had an exhibition ant the Prince Arthur Galleries hosted by the French and Italian embassies in Toronto. A catalogue was produced in French, English and Italian called Lazare in Europe.
lazareineurope

chienducafe
Chien du Café

PontNeuf
Pont Neuf

RuedeSeine
Rue de Siene

VenetianMasks
Venetian Masks

MarketinVenice
Venetian Market

People in the city, often the protagonists in the fiction I illustrated, were all around me, the girls at Murray’s restaurant at the Park Plaza hotel where I had breakfast near my studio and Country Style Donuts where I had coffee. The nearby popcorn man at ROM, people on the subway, teenagers in the mall, they all became my subject matter. What fun! I remember it all with such pleasure! I wish I was back there again. With my pictures I tried to stop it, to capture it in a frame to look at and have forever.

girlsatmurraysfs
The Girls at Murray’s

CountryStyleDoughnuts
Coffee Style Donuts

popcornman
Popcorn Man

StGeorgeStation
St. George

mallratsf
Mall Rats

NudeonaMatress
Nude on a Mattress

In the Ottawa Citizen newspaper Cathy Scafter wrote, “His painting of a passenger on a bus, a waitress, musicians in a mall, opens our eyes to the most ordinary marvels. He feels enough empathy for people in the city to depict them with perfect candor." I’ve been painting now for over 35 years, had many shows and awards both here and in the United States. But each new picture is a challenge, an adventure and I still feel that I’m learning.

I’d like to thank Ivan Kocmarek and Leif Peng who still care and remember without their help, generosity and expertise I couldn’t have produced this story.

Gerald Lazare.

Text and images to this series are © Gerald Lazare


* Read Ivan Kocmarek's articles on Gerald Lazare's early career in Canadian comic books here and here.

By Gerald Lazare

StudioSelfPortrait

The story of Artists who both illustrate and paint has a long history. Many illustrators painted and many painters illustrated. One of the 20th Century’s most famous painters, Claude Monet, was a cartoonist and illustrator before The Water Lillies and our own Jack Bush illustrated for decades before he turned to abstraction. Edward Hopper, The great American realist, was an illustrator much of his working life. There are obvious differences between the two disciplines. As an illustrator, you create images that enhance stories by writers for publishers or ads for the business world that promote companies usually, in both cases, working with art directors.


​As a painter, you tell your own story. You make pictures of what you love and what matters in your life and imagination and you do this alone, without direction from anyone else. For some artists this can be problematic. As an illustrator you are secure in a system that asks you to work for them and pays you well to do so. As a painter, you are vulnerable on your own, showing your work, hoping someone will be attracted and moved enough to want your picture.


​When I was a teenager, I discovered the work of the master painters, especially the ones who drew well: Rubens, Watteau, Ingres, Degas, Sargent and many others. They became my hallmark, my school and inspiration. When I was 25, in 1953, I went to Europe for over a year’s study of their work in the museums and earned my living there as an illustrator. When I returned and continued my freelance life as an illustrator, I dreamt of someday being a painter, painting my own pictures and subjects. When I left illustrating to paint in 1974, I was in my 40s and realized, if I didn’t begin to paint then, it would be too late.


​I had more illustration assignments than ever from both the Canadian and American markets and was winning awards in the U.S. I had no idea the future would bring a decline in illustration with the exodus of many magazines and their fiction and the rise of photography and computer technology. With the best wishes of my clients and agent in New York, I changed my course and changed my drawing board for an easel. Within two years I had my first one-man show at the Nancy Poole Gallery in Toronto.

coffeetime
Gallery Show Invitation: “Coffee Break”

It nearly sold out and caught the attention of the critics.

ralismisback
Gallery Show review, Toronto Star, 1976

My years of illustrating added much to my success as a painter. I had learned to compose a picture. I had learned to draw well. I had an understanding of value and colour. I had disciplined myself to work hard. The main change was subject matter… but even there, it carried over to some extent.

​I had always enjoyed doing faces and portraits and art directors would often comment on that ability. I was advised more than once to consider portrait painting as a career. I enjoyed painting the public, but I soon discovered painting your family and friends was more enjoyable.

georges
Portrait of George

PortraitofDawn
Portrait of Dawn (Commissioned)

Hair
Hair (Portrait of artist’s son)

SelfPortrait
Portrait of the artist

PortraitofSetsuko
Portrait of Setsuko (the artist’s wife)

A lot of my paintings include cityscapes. The old Junction where I grew up is still etched in my soul. My parents were storekeepers and my walks to school and back passing the shops and movie theatres and what I later called “street furniture” became my early themes and awakened in me a love of architecture I hadn’t known. In 1992, The City of Toronto gave me a retrospective titled “Painting the City” and quoted me:

"Born and raised in Toronto, I have always been a lover of cities and find the human comedy is played out in infinite variety on a city stage. The way we work, play and build our shelters and giant towers to commerce presents an inexhaustible opportunity for the artistic imagination. I’m drawn to a personal view of the city… the soul of it, rather than historical documentation."

catspaw 004
Cat’s Paw

hollywoodjobbers 001
Hollywood Jobbers

WinchesterHOtel
Winchester Hotel

canaryrestaurant
The Canary Restaurant

When I was in public school, I discovered the big bands and Jazz. When I was a teenager doing the comics I created Drummy Young, a crime busting band leader. As an illustrator, I did LP and CD covers for Jazz musicians.

ArtHodesCDcover
Art Hodes CD

rosf
Frank Rosolino LP cover

In 1974, for my first show, I painted “Take the A train,” my homage to Duke Ellington, the famous composer and band leader who died that year. It was accepted by the Ontario Society of Artists Exhibition in 1975 and later a print was made and sold to fans and musicians all over the world. Ellington’s sophisticated music has influenced my work and like most musicians, painters are improvisers and composers too.

taketheatrain
Take the A Train

WashingtonSquareRag
Washington Square Rag

Live music is especially rejuvenating and I’ve spent many hours sketching in Toronto jazz clubs like The Montreal Bistro and Café du Copins ... long gone now.

JohnLewissketch
John Lewis sketch at Café des Copains


Concluded tomorrow.

By Gerald Lazare


Canadian Homes Magazine had features like travel and gardening still popular features for magazines. Its art director was Art Guest, a lovely gentle man who always had time to chat. They featured a travel spread I enjoyed illustrating and here are two examples:

CanHomesMag

Canadian Homes Magazine was full of ideas for the family. “Backyard Fun for Youngsters,” (1961) was a do-it-yourself article on inexpensive things for kids to play on. Drawing children was a constant requirement for illustrators.

CanHomesMag02
kids3
"Sewer pipe is great for crawling."

The corporate world needed illustration to embellish brochures, ads, and annual reports, to create a climate of confidence in companies of all kinds. Trade magazines had articles helping industries tackle marketing and employee concerns.

ancientplan
An article on growing produce, processing, packaging, and delivery to supermarkets in one illustration for Executive Magazine by Charles G. O’Neill (1961).

executiveflops
placement
“Why so Many Executives Flop,” by Tony McVeigh, Executive Magazine (1960).

noranda
Layout for Noranda on building houses (1960’s)

EquitableLifeAssurance
From a brochure soliciting people to work as agents for the Equitable Life Assurance Society of the United States.

My cartooning ability was still an asset as an illustrator. Magazines often used cartoons to illustrate humorous articles and for companies to promote their products.

chateaugaiad2
A 1950s Chateau Gai magazine ad done while as an illustrator working at Bomac Engravers.

Television graphics for children’s programs were ubiquitous as well. I did numerous assignments for “The Polka Dot Door” TVO Ontario’s award winning children’s show 1971-73.

polkadotdoor
polkadotdoor2
"The King's Butter," The Polka Dot Door, TVO Ontario (c. early '70s)

4 Favourites

An artist always has a few favourite illustrations that, for some reason or other, pleased him more than others he may have done. This is very subjective and is no reflection on the rest of his work or professional competence. Four I liked especially and why.

In the McClelland and Stewart book Johnny in the Klondike, two boys watch the villain strangle a chicken. The text reads “Taut with excitement, they watched in horror as the man took the chicken deftly by the neck and gave a quick twist.” This was a bit of a problem. Never having seen anyone actually do this, I had to visualize it. I had a friend act it out minus the bird, which I added later. The arch of his back hid the poor chicken with one leg and tail feathers telling the story and solving a difficult problem. The tree places the boys and reader the right distance from the act.

k2a1
Johnny in the Klondike, McClelland and Stewart Ltd., 1964

When you’re given a story like My Fair Lady to illustrate, you tend to be a little more focused. The likes of Lerner and Loewe and their adaption from George Bernard Shaw’s Pygmalion challenges you to do your best. Edwardian fashions and the elegance of the plot and charm of the two lead characters Eliza and Professor Higgins are irresistible for any illustrator worth his salt.

lazmflp140-1
My Fair Lady, Four Winds Press, 1967

The final illustration in the book with Eliza and Higgins’ mother plotting to bring him around involved a row with Higgins at the top of a winding staircase shouting down on the two below. By putting Eliza and the mother at the bottom of the left page and Higgins at the top of the right, shouting down across the two pages, I created a feeling of the actual space described in the text.

Another assignment from Scott Foresman and Co. was a story called “The Squealer.” It was about a young boy accused of squealing on a very tough gang member who is looking for him to administer revenge. He is approached by the very angry boy in front of his high school and has to plead innocence and convince his adversary. It is the pivotal illustration in the story. After sketching the two boys arguing, I added two other students hearing the commotion and looking over in a concerned way. I felt it added an element of sound to the picture and brought the picture out of the ordinary. I only have the sketch okayed and returned by the publisher for finish. I never did see the published finished art and would love to.

101

Crosshatch came naturally to me and I’ve always liked things lyrical. The portrait of Fanz Schubert falls into this category. I like it because of its style and mood.

shubert1

When I was barely a teenager, I saw the work of European painters who were great draughtsmen. Edgar Degas, Antoine Watteau, and Augustus John who attended the Slade School in London that stressed drawing in its curriculum. Edmund Sullivan, the great English illustrator and Charles Dana Gibson, the American, were also early favourites whose work I studied assiduously.

I look back on my 20 years as an illustrator fondly and with great memories. It seemed to go so quickly and when my peers awarded me CAPIC’s Lifetime Achievement Award in 1995, I couldn’t have been happier. Since then I’ve been painting pictures for myself for over 35 years, but each picture, whether it be the comics, illustration or fine art has taken me to another place away from the ordinary world into the wonderful possibilities of the imagination.

Next: From Illustrator to Painter (The Final Step)

By Gerald Lazare

In the 50’s and 60’s magazines flourished. Television had made its entrance but the print medium still remained strong with lots of fiction and articles to make pictures for. A challenging mix of love stories, westerns, crime drama, business, travel, politics — you name it, needed stand-out graphics that would catch the eye.
lazthegirl
“Blind Spot,” by John Rhodes (1962)

Many new trends and styles came and went and art directors would often demand new directions and expect you to work in a number of styles.

Star Weekly Illos02

One Art Director who kept my phone humming was Ron Butler with a great smile and easy manner. He was Art Director at The Star Weekly and The Star Weekly Novel, a section of the paper dedicated to fiction. Many great writers had a vehicle for their prose in novella form and they all needed black and white illustrations to embellish them.

Sarah Perkins

I did many of them for Ron (which you can see both above and below), as did most of the top illustrators of the day. I loved reading the story and choosing a scene to draw and bring the characters to life. Unfortunately few newspapers or magazines contain fiction today. Here are a few more of the Star Weekly illustrations I did for novellas:
lazmadmen2
“Like with a Preacher,” by Ross Annett (1964)
laznurse
“The Day the Bell Rang,” by Vera Henry (1962)
lazbowler
“Final Judgment,” by Pamela Barrington (1964)

Liberty Magazine, owned by flamboyant entrepreneur Jack Kent Cooke, specialized in articles on Canadian crime, Hollywood gossip, disasters, and often paradoxically enlightening stories on Canadian history by Frank Rasky, who also art directed. The Canada policy was highlighted by city names in their titles, such as: “The Vancouver Killer who Trusted his Wife,” “Curious Case of the Murderous Halifax Doctor,” or “Montreal Darling, Cheating Honeybunch, I’ll Murder You.”

lazpsychiatristpeck
“The Psychiatrist who Caught his Patient’s Craze,” by Dr. Robert Linder (Liberty Magazine, 1956)
lazfire
“Ontario’s Two Wildest Forest Fires,” by Frank Rasky (Liberty Magazine, 1959)

Hugh Garner, the legendary writer wrote for the magazine and I met him at Liberty Magazine while delivering work, in the same way I met Pierre Berton at publishing houses. When I look back one of the advantages of being a freelance illustrator was all the interesting accomplished people one gets to meet when delivering your work to the offices of clients. Some of them become friends and enrich your life in myriad ways.

lazhalifaxdoctor
“Curious Case of the Murderous Halifax Doctor,” by Alan Hynd (Liberty Magazine, 1960)

A constant dilemma of being an illustrator is the transition from your original art to the reproduction. Your audience never sees the original, but only it’s reproduction on the page.

lazshawfull
“My Dear Dorothea,” by George Bernard Shaw (Chatelaine Magazine, 1956)

Before the digital revolution, technicians working on a press with inks, paper, and plates, would pull proofs prior to reproducing your art. The Oxford Dictionary definition of ‘proof’: “printing a trial impression taken from type or film used for making corrections before final printing.”
lazbooks
“Yellow, Yellow, Catch a Fellow,” by Margaret Flynn (Canadian Home Journal, 1957)

Depending on many factors, but mostly the skill and dedication of the technicians, the reproduction could be very true to your original or a mess that would make your heart drop. Often it fell somewhere in between.

womaninthemirror
“Woman in the Mirror,” by Virginia Akin (1959)

tiethatbinds1
“The Tie that Binds,” by Loretta Burrough (1959)

It depended on the art director to okay the proof and thus the final reproduction. One art director who cared about quality was Gene Aliman at Maclean’s Magazine. He was a no-nonsense, serious perfectionist. I often saw on his desk proofs from the painter marked with hundreds of written corrections for the printer to follow. Below is a very early illustration done in 1955 for Maclean’s Magazine. It showed my love for Albert Dorne’s work. His style was very animated with a strong line approach and washes of coloured inks floated on top. He also was an excellent draftsman and this showed up in the way that he drew hands.

lazarecarlak
​“The Great Carlak’s Bitter Magic,” by John I. Keasler (1955)

Later, with my love of painterly illustrators and fine artists, my style became more opaque and painterly.

Continued on Friday...

MKRdezign

Contact Form

Name

Email *

Message *

Powered by Blogger.
Javascript DisablePlease Enable Javascript To See All Widget