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9:23 AM , , , , , , , , ,
Jean Kim is an Korean illustrator living in San Francisco.
She won the SCBWI Portfolio Honor Award at the NYC Winter Conference in 2015 and the Portfolio Award at the 2014 SCBWI Spring Spirit Conference.
To learn more about Jean’s work, you can visit her website: http://jeankim.me/

I have followed her work for a few years and am always inspired by her beautiful technique, playful characters and sense of wonder. 



© Jean Kim 
I am very happy to share with you an insight of Jean’s process and her work:



Q. Where do you find inspiration for your illustrations?

I get inspired by most things in everyday life, especially from conversations with people. It may be  friends, family or sometimes even strangers. For my personal works, I create my work to express stories of loneliness and alienation from different experiences and relationships. This is why I tend to ask people about their loneliness, and their stories become my biggest inspirations. 


© Jean Kim 


Animals are one of my biggest inspirations too. For my children's book projects I like having animal characters better than human characters. I love their unique shapes and their pure and simple emotion.


© Jean Kim 

Q. Can you describe your process? Which are your favorite tools?
I use mixed media. Currently my favorite tools are pencils and pen & ink. (I get excited every time when I try a new medium) I love tools that leave special texture effects on the paper. 

 I start my drawings with a black and white layer, using either graphite pencils or pen & ink. In my approach, I gently rub pencils on cold press paper or do a cross-hatching technique with a pen to create textures.

Then, I scan my drawing in a high resolution in my Epson scanner and add a color layer in Photoshop. I color the illustration with a Wacom tablet. 





© Jean Kim 

Q. Congratulations on winning the 2015 SCBWI NYC Honor Portfolio Showcase! How has that experience helped you with your career in children's book publishing?
Thank you so much Ana. It has been over a year, but it still feels like yesterday. Receiving an award from the SCBWI conference was such an honor and means so much to me. I believe that this honor gave me strength to believe in myself as an illustrator and kept me dreaming.  


© Jean Kim


 After I graduated in 2014, I decided to go to one of the biggest conferences in NY (SBWI), it was a huge challenge for me. When they were awarding honors, I couldn't believe my ears! After the conference, I was contacted by several good agencies, including my current agent Rebecca Sherman from Writers House who truly understands my voice and my work. 


© Jean Kim 




Q. What are your favorite children’s book(s)?

I am a huge fan of Shaun Tan. 'The Arrival' is my favorite. I also love 'Chester' by Ayano Imai.

Tan, Shaun "The Arrival" Arthur A.Levine Books, 2007


 Imai, Ayano "Chester", Miniedition, 2007 






Q. What projects are you working on right now?
 I am currently working on two picture book projects. The first one is called 'Wide Awake Bear' (Harper Collins), written by the great Pat Zietlow Miller. The second one is called 'Rabbit Moon' (Arthur A. Levine Books), a story written and illustrated by myself. Both will be published in 2017 and I feel very lucky to be working with these great publishers.


© Jean Kim 

Thank you so much for the inspiration Jean!



..........................................
Ana Aranda writes/illustrates for children and creates murals.
You can find her work at these different locations:
Website:www.anaranda.com
Twitter: @anaranda2
Facebook: https://www.facebook.com/anarandaillustration
Instagram: @Anarandaillustration
Blog: http://anaranda.com/my-blog/


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4:50 PM , , ,



The SCBWI portfolio showcases have been the anchors that hold me steady in the crashing sea of fear, doubt, and distraction. That’s right, trying to be a children’s book author/illustrator is an EPIC journey at sea.

Long ago I understood that being an artist/illustrator, was going to be a life-long venture. It would take lots of dedication, patience, and of course discipline to make things happen. For me, this is where the conferences came into play. I began attending SCBWI conferences in the fall of 2010 and have been attending ever since.

Early on, I found out how useful and informative the conferences were and have held tightly to them. The portfolio showcases at the conferences and the opportunity to share my work with many like-minded individuals is, for me, the most valuable piece of the “building a strong portfolio” puzzle.

I was fortunate to discover the SCBWI shortly before graduating in 2011. So I began to attend the conferences and I tried to soak up every little comment I heard about my work.  Along the way I’ve collected comments and guidance for my work by many great, established illustrators, agents, editors, art directors, and many, many fellow illustrator friends. I can remember at least one thing in each person’s critique of my work. I also have all my written notes, all in little books, stored away like precious treasure maps.

After the conference, I do what we all do: go over my notes, reconnect with people online, and start new, hopefully better illustrations for a new portfolio. I always come out of the conferences tired, inspired, excited, and Oh, SO motivated. I feel like I can reach the farthest points of my journey, like I can reach the stars, all so close.

For the past five years, I have used the SCBWI showcases as my constant yearly goal line where I get to reevaluate my work. Having the physical evidence of my past portfolios gives me confidence as I move forward. I can see how I’ve grown, and each time I reach a little farther. Always reaching for those masterful levels of craftsmanship that we all admire and sometimes fear never being able to reach.


This has been the process I’ve used to help me grow as an illustrator. This may not be the way it works for everyone. But I can say, enthusiastically, that I have found many great friends and the start of what I hope will be a long career in children’s book publishing. So, go out there and find that vessel that will keep you afloat and moving into full sail illustrations one day.




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Rodolfo Montalvoillustrated the middle grade novels The Contagious Colors of Mumpley Middle School and The Amazing Wilmer Dooley, both written by Fowler DeWitt ( Simon & Schuster imprint, Atheneum). He is currently working on his first picture book Dear Dragon, by Josh Funk (Viking Children’s books – Fall 2016).
For more of his work visit www.rodolfomontalvo.com

MKRdezign

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